Elektronisches Studio

Studio 1 ("großes Studio")

Rebuild 1996, 76 sqm, diffused and dry acoustic, 12 Meyer-Loudspeakers UPL-1 with variable hanging mechanism 30 Degrees (5.1, 6.1 & 7.1 Surround-compatibel)

• AMS-Neve Logic2 with 20 Moduls; AudioFile; 32 AES/EBU I/O, 12 ADC's, 16 DAC's
  • 3 MADI-ports connected to
    • Sony-PCM-3324
    • TDIF-to-MADI-IF (6x8 Channels; two DA-88, RME ADI-4DD),
    • RME HDSP Madi
  • 3 Ports Sony-9-Pin (PCM-3324, DA88, DV-Recorder, I/O-Sync)
• 12 Meyer UPL-1 (30 degrees)
• 2 Klein&Hummel O300d
• Audioworkstations:
  • Mac Pro 1,1 PCIe -- Dual-Core Intel Xeon 2.66 GHz; Bus 1.33 GHz; RAM 7 GB;
    Four S-ATA-HDs: 466 GB + 3 times 233 GB
    USB-Extension ICRON USB-Ranger, 2 RGB-Monitors
    digidesign HD2accel with 192-digital + SYNC-I/O;
    RME HDSP Madi; Midi-IF (Peripherals)
  • Linux-PC with RME-HDSP
• analog Synthesizer SynLab with 15 Moduls
  4 VCA, 5 VCO, 4 ADSR, 2 VCF, 2 RM, 2 S&H, 2 noise G&F, 2 Env-Followers, 4 long DC-faders, 16 MIDI to 12-Bit-DACs
• Peripherals:
  Eventide DSP4000, DATs; CD-Player, DVD-Player with Surround-Out, S-VHS-Player;
  2 Tascam DA-88 with TC-Card
  Remote for PCM-3324
  2300-Ansi- Beamer (with two Video-Splitter for both Audioworkstations)
  Midi-Equipment: MTP II, AMT8 and MT4, Controler MotorMix
• Ethernet-Connections

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3D-View to "großes Studio" 1 (left) and Studio 2

Studio 2 ("kleines Studio")

46 sqm, diffused and dry acoustic, 8 speakers with variable hanging mechanism, 45 Degrees

• Mixer Yamaha O2R; Software 2.0 (Cards: AD/DA; "large" and "small" AES/EBU; 2 TDIF; 3 ADAT)
• 8 Meyer UPL-1
• WFS-Array with 24 Fostex 6301B; 3 Marian-optical Converters; Host: Linux-PC with RME-Hammerfall
• Audioworkstation
  G5 2*1,8 GHz , 3.4 GB RAM, 2 internal IDE-HDs, 2 RGB-Monitors
  digidesign HD1 / 192-digital;
  RME HDSP Madi; Midi-IF (Peripherals) connected with RME ADI 648
• optical Patchbay RME; SRC
• Peripherals & Effects: word-clock'ed DAT; CD-Player; Publison IF 90 / 5.1 sec; EMT 445 Delay max 21 sec mono

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Machine-Room

contains all noisy Equipment used in the studios and workstationroom;
all computers connected to Ethernet-Switches 100 Mbit (also 2 GBit) :

• AMS/Neve Logic2 - Rack;
• PCM digital Taperecorder Sony 3324 (24 tracks)
• Linux-Servers
• all noisy Workstations with full Hardware (Audio-IF, Sync etc.)
• RME-ADI-648 optical to Madi-IF
• Studio-Wordclock (all standards)
• Several FireWire-HDs
• CD- and DVD-Burners
• Powerdistribution and lightcontrol (Power-Transformer, own Earth-connection)

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Computer-Room / other Hardware

• 2 Linux-Workstations; access to digital and analog I/O; Monitoring via small speakers;
• Network-Printer HP LJ4
• Audio-Workstation G4 450MHz with ProTools-Digi-001, two IDE-HDs 45 GB
• G4 1,2 GHz, 576 MB RAM, two IDE-HDs, RME-HDSP 9652
• G4 1200 MHz, 2 internal IDE-HDs, USB-Extension ICRON USB-Ranger digidesign d24 + Mix-Farm + Farm, 2*888-IF + Adat-IF, MIDI-IF
• M-Box

Main Software:

• Macintosh (OSX 10.4):
  • ProTools TDM 7.3 and partly LE: 6.4 / 6.9 /; digidesign DINR 7, Machine-Control 2.0
  • WAVES-Plugin 5.9: Diamond-Bundle, IR-360, Restauration,
  • GRM-Tools classic and ST,
  • logic-audio 7.2
  • Digital Performer 5
  • Peak 4 & 5
  • Cubase-VST;
  • Live 6
  • Csound
  • Soundhack
  • IRCAM-Software CAO/CAC, Sound Design/Real Time (AudioSculpt 2.8, Patchwork, SVP, Mosaic)
  • MAX/MSP 4.6 & Jitter 1.5,
  • Supercollider 3,
  • Reaktor 5,
  • Melodyne 3
  • apb-tools THS and THS-Video-engine
  • Final Cut Studio (Final Cut Pro 5, DVD Studio Pro 4 e.a.), Quicktime Pro 7
  • DTS Pro Series Surround Encoder Software 96/24 and ES Encoder für Mac und PC
  • others:
    Roxio Toast 8 & JAM 6, FileMaker Pro 8.5, Golive CS, Finale 2006, BBedit 8, MS Office X 10, the Virtual Orchetsra, CDFinder 5
    
    
• Linux-PC: jMAX, PD, Ardour, Stampede etc.

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Additional Hardware:

• Speakers:
  • 4 d&b F1, with controler-amplifier; stands
  • 2 d&b B1 with controler-amplifier
  • 2 d&b E1 with controler-amplifier ; stands
  • 2 passiv and 5 active Altec-voice-of-the-theatre;
  • 3 K&H O86
  • 16 stands for Meyer UPL-1
  • many other Speakers, low and high qualities
  • 10 Fostex Personal Monitors
• Mixers:
  • Yamaha DM 1000 mk2 with AES- / ADAT-Cards (16 channels each)
  • Yamaha 02R with Cards: AES/EBU, ADAT, TDIF, AD/DA
  • analog Mixers: Soundcraft S8000 23 B 32/8/2;
  • Mackie CR-1604;
  • Hill Multimix
• Tape Recorders digital:
  • DA-88 with TC-Card
  • portable DAT Tascam DA-P1;
  • ADAT-XT
  • two PCM 701with Umatic or Beta PAL/Secam, SVHS HiFi
• Tape Recorders analog
  • quarter inch: 2 Telefunken M15A, 2 Studer R80
  • half inch 4-track Telefunken M15
  • one-inch 4- and 8-track Telefunken (M10, M15A)
  • Compander: 16 Dolby-A, 4 dBx, 24 Telcom
• Audio-Interfaces:
  • two Motu 828
  • two Marian ADCON (adat to analog / analog to adat)
  • RME OctaMic (8-channel analog to AES/EBU)
• 2 Behringer Powerplay Pro (Headphone amp)
• Mikrophones:
  Neumann (SM 69, 2 M269c; RSM 190i, KU 81i),
  Sennheiser MKE 2 and 6 other dynamic Mics
  two Microtech Gefell M 930 (sponsored by Microtech)
  B&K 4503 with DeltaTron Power Supply WB 1372
• IRCAM AtoMIC Pro Midi-IF
• Gluion-OSC-Interface (Kartadinatar)
  
  
• other "older" Equipment:
  • MIDI: Akai S1000 (18 MB); Roland CP 40; MIDI-Projection-system MD12 (MIDI-controlled Kodak-Caroussel); 2 Yes-Audio MIDI-Faders;
  • Yamaha Keyboard SO3, 2 mt4 and 2 amt8
  • Synclavier II (16 voices, Sample to disk, VT 100_GB, 20 MB Disk)
  • old SCSI-HD (4-GB, 270 MB-Syquest, 44 MB Syquest)
  • Cooper CS10

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Archive - Room

• 1400 DVD&CD's, 260 DAT's, 446 LP's, 240 MC's and other tapes with Electroacoustic Music, 8300 titles.
  Partly to be lend (see Audiothek)
• TU-Studio-Poductions on Mastertapes in different tapeformats and Backup-Formats; large international Tape-Archiv
• Scores, Maps, Pictures etc.

used database is FileMaker Pro 8.5 including all media, recordings, productions, copies from the last 50 years